Tuesday, 11 November 2025

BLOG TOUR - APHRODITE BY PHOENICIA ROGERSON


From the award-winning author of Herc, an enrapturing feminist tale that 
brilliantly reimagines the story of Aphrodite and how she transformed herself, 
from a lowly outsider to the darling goddess of love, for readers of 
Madeline Miller and Jennifer Saint.

Title: Aphrodite
Author:
Phonenicia Rogerson
Publisher:
Harlequin Books
Release Date:
11th November 2025

BLURB
Aphrodite saw the gods on Mount Olympus and decided she wanted a piece of what they had. Only problem is, she’s not a goddess, just a lowly being supposed to remain in a distant cave, keeping the threads of Fate woven neatly. But Aphrodite’s never let anyone tell her what to do…

Weaving herself a web of lies and careful deceptions, she convinces everyone she’s the goddess of love whose rightful place is among the Olympians, who lord it over everyone else at the top of the world, but under the stifling rule of Zeus. For the first time she has the best of everything, and friends, peers, even loved ones. Only being a goddess isn’t quite like she thought. Those who oppose Zeus tend to disappear, or worse. And one day, Aphrodite decides she’s had enough…


PURCHASE LINKS
Bookshop.org
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ABOUT THE AUTHOR 

Phoenicia Rogerson is the award-winning author of Herc, which won the 2024 Somerset Maugham Award for young writers and was chosen as one of Waterstones' Best Books of the Year in 2023. Though she is altogether mortal with a rather less checkered past than Hercules, she’s had a lifelong infatuation with Greek mythology and is greatly enjoying being able to claim her book purchases are for work. She lives in London.

AUTHOR LINKS
Website
Instagram
Twitter/X
Goodreads

  

EXCERPT  

Aphrodite I

I’m a liar, to begin with.

Well, if I’m being exceedingly honest with you – and I am trying – I was nothing at all, to begin with. Then I was my father’s testicles. Then the weaver of Fate itself, which is when the lying started. After that, it all got a bit complicated.

I was the daughter of Ouranos. The daughter of Zeus. The daughter of no one at all. A winner, a loser, though never much in between. The world standard of beauty and a crone, both. Olympus’ very own it-girl. Maybe the worst wife in all of history. A lover, a friend, a co-conspirator. A snitch. Selfless – once or twice. A bitch – more than twice. A monster, a villain, a victim – if you must. A good mother, a bad mother, a really bad mother. Lonely and famous and beloved and alone. Precious and worthless. A rival, a cheat. Afraid, often, and terrifying, also often. Oh, and I started a war. That’s very important.

The goddess Aphrodite. I was that too. I don’t think I am

anymore. Look, it’s all very knotted. Maybe I should start from the beginning.

First, there was Chaos, which meant something different then to what it does now. The time of Chaos was empty. It was a blank canvas for the optimists and an endless sinkhole for the pessimists. It was a time of absolutely nothing. I suppose I was nothing then, but we all were, so I won’t hold that against her.

Chaos was empty, until she met Nyx. I like to think that the two of them were in love, but I’ve never met my grandmothers, so I can’t say for certain. The two of them created the earth and the seas and the sky, and they had three children to gift them to.

Their daughters received the sea and the earth, and they were happy with them.

Their son wasn’t, as is the way of youngest children. He wanted to be the king of a world consisting of only five people, so they let him.

My father, given the world like a toy so he’d play nicely with his sisters. I suspect he was spoiled rotten, but then I quite like being spoiled, myself. And he did ask, before he took. He spoke with such conviction about the glittering future he would bring, the life he would spread across this world, that they believed him.

Ouranos became the first king of this world. He took his sister to be his wife and he made good on his promises. Together – let’s not give him all the credit; he didn’t carry their children – they filled the world with life. They brought forth the Titans, beings more powerful than even they were, who could control the elements around them more easily than breathing. And they brought forth the Cyclopes, and the Hecatonchires – the hundred-handed ones – who Gaia loved and who did not ask for power, only a life, which meant Ouranos did not respect them. He thought them irrelevant to the world, because they didn’t demand to own it. They lived between the oceans and created beautiful wonders with all the energy they saved from fighting.

I don’t know how many children they had together. It doesn’t matter. All that really matters is it was one child too many.

It’s always the youngest son who has the most to prove.

Their youngest was a Titan, Cronus. He wanted to be king too, only Ouranos wasn’t like his mothers. He didn’t want to give up what was his.

Cronus asked for power; his father said no. Cronus did not ask a second time.

So the world came to know a new word: war.

It didn’t last long, that first war. It couldn’t. All the Titans could be counted on fingers and toes.

Cronus armed himself. He went to the Cyclopes and asked for their support. He promised them positions in his new order, new lives beneath the sun instead of deep below the sea. He told them he would respect them as their father never did. And he let their conversation be heard just enough to build fear in his father.

It’s a bold strategy, to tell your enemy that you’re coming, but it works well with the men in my family. They’re so afraid of it, it eats away at them, into their very bones, and they forget that they’re anything other than the position they hold.

Ouranos ordered the Cyclopes sent to Tartarus, a prison in the underworld he’d had to create personally, because one had never been needed before.

(It’s a problem when you’re an immortal fighting other immortals. You have to be careful about who you piss off because there’s no getting rid of them. They’ll be there, hating you. Forever.)

How Cronus himself escaped being tied up in proto-damnation is beyond me, but he did. I suspect his mother helped. He promised her – how they promise! – he would free her sons, bring them to the power they deserved. When Cronus was king, everyone would live equally in a utopia, just below him.

He had his people behind him. He had his shining vision for the future. He had the weapons and the belief. It was only a matter of time.

He followed his father across the land, over the oceans, waited for the perfect storm to be whipping around them, for winds too loud for words – I know that for certain. I made my entrance soon enough.

I think it’s unlikely they’d have had much to chat about, anyway. When you get to weapons at dawn, what do you say?

I want power!

No, me!

No, me!

They were both armed, but Cronus’ reach was longer. That’s been true of every new generation I’ve seen, that they’re just a little bigger than their parents, trying to prove they’re better in the most

pointless of ways.

Cronus carried a sickle. I don’t know what my father’s weapon was. He lost.

There was no point in aiming to kill. There never has been, for us. Instead, Cronus thought of the worst shame he could possibly imagine, and he castrated his father.

Chopped his balls off.

De-testicled him.

I’ve heard every possible variation of the phrase, some with great solemnity and some with a snigger, and I’ve never been able to explain why I’m not laughing.

I can tell you now, though.

Those balls were me.

I grew from them. I was born from them. They were me and I am them and that will always be the truth. That is my beginning.

I made my debut at the end of the first great war, in a storm unlike any other, as the world turned itself upside down trying to find its way in the new order. All of this is true, yet my birth is reduced to a punchline.

I hid it for so long, not wanting my entire existence to be reduced to one man’s shame, but I’m over that now. I’m much more famous than him, after all.

I’ve always wondered how Cronus managed to castrate him so neatly. It was only my father’s testicles that made me – call my knowing that feminine intuition, if you want – but Cronus used a sickle.

How? Were they hanging so low? Was Ouranos’ stance so wide because he needed the world to see his mighty balls? What possible physical arrangement leads to one man being able to castrate another with a weapon made for cutting wheat?

Cronus would have had to practise, but he can’t have. Surely he had better things to do in the war, and I’ve met some of his generals. I can’t imagine them offering themselves up for the chop.

That one is a mystery for the ages, I’m afraid, but it doesn’t matter, because now I’m here. That’s it. All of the relevant history before I arrived. Done.

Cronus lifted his arms in mighty victory and bellowed so that all around him could cheer and crown him the new king of everything. Like his father, he went home and married his sister, ready to fill the world with people who looked just like him.

Ouranos, newly ball-less, gave an anguished cry.

‘You think yourself so smart, so powerful, but one day you will be just like me, dethroned by your own children.’

Cronus looked at his father’s crotch. ‘I will never be just like you, will I?’

He ordered Ouranos tied and bound in Tartarus, that prison of his own making, never to be seen again.1

So distracted were they by their respective shouting that the testicles fell into the ocean, instantly swallowed by the swells of the waves, pulled down into utter blackness, presumed lost.

Wrong.

1 For a certain value of never. We are immortals, after all. —A

Excerpted from Aphrodite by Phoenicia Rogerson. © 2025 by Phoenicia Rogerson, used with permission from Hanover Square Press, an imprint of HarperCollins.


 

 

 

 


 

 

 

 

 



 

REVIEW - THE REUCTANT REAPER BY MARY JANICE DAVIDSON

Title: The Reluctant Reaper
Author:
Mary Janice Davidson
Publisher:
Blackstone Publishing
Genre:
Sci-Fi, Fantasy, Romance
Release Date:
11th November 2025


BLURB 
What’s a death god to do …

A lot of twentysomethings might look forward to inheriting the family business. Amara Morrigan’s got zero interest in hers. The mantle she stands to assume is currently worn by her father, Death.

Amara’s childhood included helplessly watching as her best friend and her favorite teacher were taken away. She knows her dad didn’t do it on purpose … it was just their time. But Amara refuses to accept the job. It’s bad enough that she can sense when the final moment will be for anybody she meets—including her best (and only) friend, Gray. He knows who she is, and he’s cool with it. And though he’s the funniest, kindest, most understanding guy she’s ever met, she can’t allow him to get any closer (however much she might want to), because his moment is coming all too soon.

But now her father is dying. Ominous portents she can’t ignore pull Amara home to Minot, North Dakota, where Death is comatose—something that shouldn’t be possible. Thank all the gods that Gray refuses to be left behind. Amara’s mother is a mess, and Gray gives her somebody to cook for while the other death gods are gathering.

Alas, there’s not enough lefse in all of North Dakota to fix the situation. With their options waning, Amara agrees to (temporarily!) take up her father’s mantel—but she has to figure things out, and fast, because there is no way she’s doing this forever. 

Goodreads Link 

REVIEW
I love the chick-lit, almost comedic cover style, with the female, who we learn is Amara Morrigan, the contrast of the rather dressy, red dress and matching high heels with the black reaper cape and scythe! The cover hints and humour and the book delivers!

Amara is trying to live a “normal” everyday life, she takes temp jobs or jobs that she only sticks at for a week or two. In fact, the book begins where Amora has just been fired by her current boss Billy/William. Amara has sent Billy/William’s financial details to his soon to be ex-wife to aid her in her divorce case.

Amara’s best friend is Graham Gray, or Gray as she calls him, she once saved him from suicide and ever since they have been inseparable friends. Gray constantly teases Amara about her job-hopping antics. When Amara tells him he needs to pay out on their bet she would be fired he quips back that she only lasted as long in the job because her boss wanted to get in her pants!

Amara already has a job she is destined to do, it is expected of her that one day she will take over the family business, one she will inherit when her father dies. Amora is hoping that day will never come, not just because she doesn’t want her father to die but because she really doesn’t want the job. Amara has convinced herself the day will never come as her father is a God, the God of Death! Her family are all Gods and Goddesses.

When Baron La Croix a “family friend” arrives with a message that Amora’s father is seriously ill she packs a bag and heads home with Gray in tow. Gray is introduced to Amara’s mother Hilly or to give her correct, full name Frejya Brunhilde, a Valkyrie and Goddess of love, beauty and fertility. Hilly loves cooking and feeding everyone, Gray has never seen so much food. Slowly Gray meets all the others who have been summoned to Deaths side now he is ill. There’s Penny & Hank (Persephone & Hades), Arawn and his hellhounds, and Amara’s old tutor and friend Skye (Scathach) and lastly Chernobog. Hilly really is in her element cooking the large amounts of food needed to feed all these people!

Whilst Death is incapacitated it is necessary for Amara to finally accept her role and go and reap the souls of those dying. Gray having nothing else to do other than eat all the food Hilly keeps cooking decides to accompany Amara. When Amara visits those dying no one else can see her and she warns Gray that they will be in a bubble so people will not see him, but strangely those that are dying can see both Amara and Gray. Amara just shrugs off this anomaly as she has to work out what is happening with her father whose condition is worsening by the day. Amara soon realises she has been “set up” that Death is faking it to get her to accept her role as reaper. However, things become more complicated when Death’s health doesn’t start improving. It then occurs to Amara that someone is trying to poison her father, she has to work out fast who, why and stop them too.

With everything going on Amara turns more to Gray and their friendship soon becomes more complicated when they realise, they have feelings for each other. Only they had been holding them back for fear of losing their great friendship. The Gods and Goddesses all like Gray and seem to think he would be the perfect love match/partner for Amara. Theres only one problem they all know that Gray is due to die soon, so how can he and Amara have a future together?

I loved the character of Gray who had an awful childhood, attempted suicide but Amara saved him and they became best friends. I thought it was endearing the way Amara had been paying his parents to stay away from him and leave him to live his life in peace, free of them. The other character I adored was Baron La Croix who though he could eat himself could only enjoy food etc through being near others enjoying food etc. 

I loved the banter between the characters, It was amusing and in character for Persephone and Hades to keep sneaking off with each other and them not to be able to keep their lust for each other suppressed, it was funny.

The Gods and Goddesses were humanised as well as staying fairly true to mythology. I adored how Arawn answered to Arwen as that is what Amara called him when she was younger. It was also cute how he had hellhound puppies, that Gray became obsessed with feeding tidbits of food to despite Arawn repeatedly telling him not to.

My immediate thoughts were that this book is a quirky mixture, mash-up of humour, mystery with some romance and mythology thrown in and I really enjoyed it. It was a totally different genre and book pace to what I had been reading so initially I found it difficult to relax into and enjoy but as soon as the banter started flowing and the comedy elements, I felt pulled in. Definitely recommend if you want a light hearted read full of wise-cracks. It certainly made you think of “Death” in a totally different light!

Summing up a funny, banter filled book where the characters are true to the Gods and Goddess mythology that are also given human quirks and habits. Great if you want a light read with some romance and mystery and a relatively happy ending.


 

 

 

 

 

Thursday, 6 November 2025

BLOG TOUR - OTHERWISE ENGAGED BY SUSAN MALLERY

  
A twisty, tender and wise look at how secrets can transform the powerful—and sometimes problematic—bond between mothers and daughters, 
from #1 New York Times bestselling author Susan Mallery.

Title: Otherwise Engaged
Author:
Susan Mallery
Publisher:
MIRA
Release Date:
4th November 2025 


BLURB
When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell—and the last. Cindy’s engaged, too, and has already hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done.

Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect.

Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out. Twenty-four years ago, desperate teenager Cindy chose wealthy Ava to adopt her baby—then changed her mind at the very last second. The loss rocked Ava’s world, leaving her unable to open her heart to the daughter she did adopt, Victoria. As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different than who they might have become.


PURCHASE LINKS
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Bookshop
Libro.fm 
Books-A-Million
Target
Walmart 
Indigo
Kobo 
AppleBooks
Google Play  

 ABOUT THE AUTHOR 

SUSAN MALLERY is the #1 New York Times bestselling author of novels about the relationships that shape women's lives―family, friendship, romance. Library Journal says, “Mallery is the master of blending emotionally believable characters in realistic situations," and readers seem to agree―40 million copies of her books have sold worldwide. Her warm, humorous stories make the world a happier place to live. She’s passionate about animal welfare, which shows in the many quirky animal characters she has created. Susan grew up in California and now lives in Seattle with her husband and adorable poodle.


 
 
EXCERPT 


How does the horse look?

Victoria Rogers pressed her good arm to her very bruised, almost broken ribs. “Dad, don’t,” she said, trying to stay as still as possible. “You can’t be funny. It already hurts to breathe. It wasn’t a horse.”

Her father frowned. “I was told you were thrown off a horse.” “I was thrown out of a truck.”

“Then how’d you get the black eyes?”

“The ground was a little bit pissy when I hit it and punched me back.”

There wasn’t a part of her that didn’t hurt. The good news was that now that the medical staff had determined she didn’t have a head injury, they were going to give her drugs to help with the pain. She’d already said she didn’t want any of that weak-ass pill stuff. She wanted a nurse to give her a shot of something that would work instantly and let her rest. Because in addition to the bruised ribs, requisite scrapes and contusions, she had a broken left leg and a sprained wrist. Her previously dislocated shoulder also throbbed, but that was kind of the least of it.

As she lay in her hospital bed, feeling like death on a tortilla, she had the thought that maybe stunt work wasn’t for her. Injuries came with the job, but this was the third time in five years she’d landed in the hospital. The first time she’d messed up, so that was on her, but the other two had just been plain bad luck. The incident with the truck had come about because one of the tires had blown, causing the however many ton vehicle to jump the curb—an action that had sent her flying up and over the side. Gravity, being the bitch it was, had flung her onto the sidewalk. Hence the injuries.

Her father studied her, his brows drawn together in concern. “None of this makes me happy,” he told her.

The incongruous statement nearly made her laugh. She remembered—just in time—that her ribs wouldn’t appreciate the subsequent movement and they would punish her big-time.

“Today isn’t my favorite day either,” she admitted, trying not to groan. “I didn’t wake up with the thought that I should try to get thrown out of the back of a pickup.” Although technically getting thrown out of the truck had been the stunt. Just not when it had happened and without warning or a plan.

“I’m worried,” her father told her.

“I’ll be fine.”

“This time.”

She winced, and not from pain. “Now you sound like Mom.”

Her father, a handsome man only a few months from his sixtieth birthday, brightened. “Thank you, Victoria. That’s such a nice thing to say.”

Given her weakened condition, she let that comment slide. Honestly she didn’t have the strength to deal with it right now, even though she knew her father understood exactly what she’d been saying. He was only pretending to not get it.

“If you’re going to act like that, you should go,” she said, then amended what could be construed as a catty comment into something more kind. Mostly because she only had the emotional energy not to get along with one of her parents, and her mother had already claimed that prize. “Besides, they’ll be bringing my drugs any second. I plan to surrender to sleep, so I’m not going to be very conversational.”

As if to prove her point, one of the nurses walked in with a syringe. “Ready to feel better?” he asked cheerfully.

“Yes, and let me say, you’re my favorite person ever.”

He winked. “I get that all the time.”

He slowly injected whatever the medication was into her IV. Victoria drew in a shallow breath as she waited to feel that first blurring of the edges of the pain. Modern medicine was a miracle she intended to embrace.

The nurse left. Milton took her good hand in his.

“I’ll let you rest,” he told her. “But I’ll be back later tonight.” He squeezed her fingers. “Tomorrow, when you’re released, I’m taking you home.”

Ugh. Victoria knew that her father wasn’t talking about the pretty condo he’d bought her when she’d turned twenty-one. Instead he meant the house where she’d grown up. The one where her mother still resided.

“I don’t need to move back,” she protested, feeling the first telltale easing of the pain. “I have a few bumps and bruises.”

“Along with a broken leg. And what about your ribs? You can barely move without wincing.”

“I have zero pain tolerance. I’m a total wimp.”

He frowned. “You’re tough and stoic. If you’re showing signs of pain, it’s bad. You’ll stay with your mother and me until you’re well enough to be on your own.” He pointed at her. “I mean it, Victoria. You don’t get a vote.”

Her father was rarely stern with her, so his sharp tone warned her he wasn’t kidding. And she knew from twenty-four years of experience that arguing with the man would get her nowhere. Milton didn’t take a stand very often, but when he did, he was the immovable object.

“I wish you loved me less,” she murmured, feeling a little floaty and stumbling over her words. “Okay, I feel drugs. Let me enjoy the experience of breathing without, you know, wanting to die.”

Oh, baby girl. You’ve always been difficult.”

“I know. It’s one of my best qualities.” Her eyes drifted closed. “Love you, Dad.”

“Love you more.” He kissed her cheek. “I’ll see you tonight.”

“Come alone.”

His soft chuckle was the last thing she heard.

Excerpted from Otherwise Engaged by Susan Mallery, Copyright © 2025 by Susan Mallery Inc. Published by MIRA Books. 
 

 

 

 

 

 

 

Monday, 3 November 2025

BLOG TOUR - THE PERFECT HOSTS BY HEATHER GUDENKAUF

  

A couple’s gender reveal party turns deadly and everyone is a suspect in this gripping thriller from the New York Times bestselling author of The Overnight Guest.

Title: The Perfect Hosts
Author:
Heather Gudenkauf
Publisher:
Park Row Books
Release Date:
4th November 2025

BLURB
Is it a boy or a girl? They would die to know…

Madeline and Wes Drake have invited two hundred of their closest friends and family to their sprawling horse ranch for the most anticipated event of the year: a “pistols and pearls” gender reveal party so sensational it is sure to make headlines. But the party descends into chaos when the celebratory explosive misfires, leaving one woman dead and a trail of secrets.

As the aftershocks of the bloody party ripple across the small town, Agent Jamie Saldano is brought on the scene to investigate. Battling his own demons from the past, Saldano unearths a web of deceit spun around the Drakes. The appearance of some unexpected houseguests only deepens the mystery. And as tensions mount, it becomes clear that the explosion wasn’t just an unlucky accident. But who was the target, and why? As the shadow of a killer looms, the happy parents-to-be must unravel the truth before it’s too late.


PURCHASE LINKS
Amazon 
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Bookshop 
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Books-A-Million 
Target 

ABOUT THE AUTHOR 

Heather Gudenkauf is the critically acclaimed author of several novels, including the New York Times bestsellers The Weight of Silence, The Overnight Guest and Everyone Is Watching. She lives in Iowa with her husband and children. 


 
EXCERPT 

MADELINE

“Madeline,” comes Wes’s voice, tinny and faraway-sounding. “Are you okay?”

She is lying flat on her back, the air still hazy with smoke. Is she? Is she okay? The ringing in her ears is fading, and she can hear again. In the distance she can hear sirens. Help is coming. Madeline does a mental scan of her body. Nothing seems broken, but her head is pounding. She touches her hairline, expecting her fingers to come back with blood, but instead they find an egg- sized lump. She tries to remember exactly what happened. Wes pulled the trigger, and the truck exploded. An explosion, that’s what it was. Something had gone wrong with the reveal. The baby. Oh God, is the baby okay? She presses her palms against her belly.

“Madeline, Madeline,” comes Wes’s voice again, this time more insistent. His frantic face comes into view.

“Shhh,” Madeline orders. “Please be quiet.” She needs to lie completely still, has to concentrate so she can feel the baby move. She. The baby is a girl, Madeline thinks, remembering the wisps of pink smoke she saw among the fiery black cloud. Her little girl will kick her in the bladder, one of her favorite moves, any second now. There is nothing. No cartwheels or wiggles. Nothing.

Wes kneels beside her and slips his hand into hers. “Help is coming. Stay put. Don’t move.”

Madeline nods as hot tears roll down her cheeks. “What happened?”

“It must have been the truck,” Wes says. “It must have triggered a bigger explosion.”

“But how?” Madeline asks. “You said it was safe . . . Is anyone hurt?”

“It was. It was supposed to be.” He shakes his head, be- wildered. “I don’t know what happened.”

Madeline struggles into a sitting position and looks around. Charred lumber litters the lawn. The canopy over the dining tables has collapsed and is covered in dancing flames that a handful of guests and waitstaff are trying to smother with what- ever is handy: cowboy hats, table linens, an old horse blanket. Other guests are gathered in small, tight clusters, holding on to one another. Some sit in the grass crying, others stand slack- faced, as if in shock. Through the smoke a rodeo clown appears, his brightly colored clothing now blackened with soot and his makeup running down his sweaty face. The clown is helping the photographer, who is bleeding from the head. But it is the old storage barn that Madeline finds herself fixated on. Huge f lames shoot from the hayloft window and the roof. Someone pulls a hose from one of the horse barns, and suddenly buckets and containers of all sizes appear. Others, including Johanna’s husband, Dalton, are running toward the burning barn and tossing water onto the structure. They know that one wayward spark could ignite the house or, worse, the barns filled with her beloved horses.

“Can you walk?” Wes asks. “We have to get you away from here.”

Madeline nods, and Wes helps her to her feet. She is barefoot. The blast had lifted her in the air and knocked her flip-flops clear off her feet. Madeline, leaning against Wes, winces with each step, the rough ground pricking at the soles of her feet. He leads her to the meadow, a safe distance from the burning barn, but still close enough for her to see what’s happening. Some of Madeline’s earlier numbness is beginning to wear away, and the enormity of what has happened begins to descend.

“Go,” Madeline says, knowing they need as many hands as possible.

Wes shakes his head. “No,” he says. “I’m not leaving you.” “I’m fine,” she says, but is she? She fell hard, and still the baby hasn’t moved.

Madeline scans the crowd. “Where’s Johanna?” she asks. “Have you seen her?”

“I haven’t,” Wes says. “But I’m sure she’s around here somewhere. Have you seen Dix?”

“No,” Madeline says. The last she saw Dix was just before he handed the microphone to Wes. “Go,” Madeline repeats. “Really, I’m fine. I just have to get my bearings,” she assures him when he turns his gaze to her doubtfully. “Go help, find your brother. And check on the horses.”

“You wait here,” Wes says. “Don’t move from this spot, and I’ll come back and find you.” He squeezes her hand and kisses her cheek before darting away and disappearing into a cloud of black smoke.

Madeline continues to eye the property for any sign of Johanna’s long dark braid, her suede skirt. In the distance the wail of sirens grows closer. Help is coming. The meadow to the left of the house was being used as a makeshift parking lot for the guests’ vehicles. One wayward spark from the fire landing on the stubbled field could set off a chain reaction where upward of a hundred cars and trucks, tanks filled with gasoline and diesel, sit idly.

The air is filled with inky smoke blotting out the face of the mountain and the setting sun. A fire truck pulls through the side yard, crushing Madeline’s lavender and Russian sage, its massive tires carving deep ruts in the soil. Madeline barely notices—it’s what she sees as a group of guests part to let the truck through that causes her breath to lodge in her throat. A woman lies on the ground, her arm thrown over her face, while someone presses a blood-soaked cloth to her abdomen. One by one, Madeline registers the carnage. Someone is doing CPR on Gary Wilson, the president of the bank that holds their mortgage. One of her equestrian students is wandering aimlessly through the smoke, tears running down her face. A fifteen-hundred- pound bull has escaped the rodeo paddock and is trotting toward the mountains. She sees Mellie, the young waitress, running and screaming, fire dancing up the front of her legs. A partygoer tackles her, smothering the flames with his body.

This is bad. So very bad. Madeline fights the urge to vomit. She wants to help. But how? Water, Madeline thinks. She can pass out bottles of water, try and keep the guests calm and reassure them that help is here, that everything is going to be okay. On unsteady feet she moves toward the party barn, where she knows there is plenty of bottled water, but someone grabs her arm. Mia. “Have you seen Sully?” she asks tearfully, her arm hanging at an odd angle. “I can’t find him.”

Madeline shakes her head. “I’ll help look for him,” she promises. “You’re hurt. Sit down.”

Mia shakes her head. “I need Sully,” she says thickly and stumbles away. There are too many injured and not enough emergency personnel.

The fire truck has come to an abrupt stop. Two firefighters are urging those guests who jumped in to try to put out the fire to move away from the blaze. With machinelike efficiency, they unroll the hoses.

Madeline is mesmerized by the flames that roll across the roof of the barn, the dense cloud of smoke, the roar of lumber being eaten by the flames. She moves closer, unnoticed by the firefighters, her face growing pink from the heat. Madeline vaguely becomes aware of more sirens and shouts of “Over here” and “Please help!” More help has arrived. The spray of water hisses and snarls as it strikes flames and wood. The barn turns into a living thing then, twisting and groaning until it collapses in on itself, turning to a big heap of charred lumber with sooty farm equipment peeking out here and there.

Excerpted from The Perfect Hosts by Heather Gudenkauf, Copyright © 2025 by Heather Gudenkauf. Published by Park Row Books