Thursday, 13 November 2025

BLOG TOUR - NOT YOU AGAIN BY ERIN LA ROSA

 

Two 30-something singles stuck in a time loop are forced to relive the worst days        of their lives, so they team up to find a way to break the cycle. For fans of                 Palm Springs and Oona Out of Order, NOT YOU AGAIN offers a fresh                      new take on the Groundhog Day story.


Title: Not You Again
Author:
Erin La Rosa
Publisher:
Canary Street Press
Release Date:
11th November 2025
 
BLURB
In Julian, California, every day is April 22. Most people have accepted the loop—after all, reliving the same day every day, there’s nothing to lose. Day drinking until you pass out? Yes. Partner swapping? Why not.

But Carly has woken up at her dad’s funeral exactly 238 times, and she wants out. She doesn’t want to waste her life away reliving the worst day ever in the small town she always hated visiting. Carly wants to go back to writing film scripts in LA; she’s determined to find a way to break the cycle.

She discovers an unexpected kindred spirit in Adam, the mortician she met at her dad’s funeral. April 22 was also one of the worst days of his life: his fiancée admitted to cheating on him with his best friend. Every day Adam wakes up on April 22 to his ex-fiancée's admission, starting each day with a breakup. April 22 was supposed to be his last day working for his parents at the funeral home, and the start of his new life as an astronomer. Adam is a man of science, and like Carly, he believes there must be a way out of the time loop.

Together, Carly and Adam team up to find out what’s causing the time loop. And in trying to find a way out, they also find their way to each other.
 
 
ABOUT THE AUTHOR 
ERIN LA ROSA is the author of For Butter or Worse, Plot Twist, and The Backtrack, and on her way to writing romance, she’s also published two humorous nonfiction books, Womanskills and The Big Redhead Book. She lives in Los Angeles with her husband and four daughters (two humans, two felines). 
 
AUTHOR LINKS
Instagram & Twitter: @erinlarosalit 
TikTok: @erinlarosawrites 
Substack
Author website

EXCERPT

Chapter 1

Carly

Day 1

 

Carly Hart was what one former friend had called “an emotional basket case.” She cried openly, in public, with very little concern for who saw. And it wasn’t just big moments that caused her to tear up—a breakup, losing out on a job, having to fly out from LAX—but the little things, too. Like when she tripped on a sidewalk crack and accidentally squished a caterpillar, or the time she went to take a shower after a workout and the water came out cold instead of hot. Carly felt deeply without much effort. Crying was cathartic, natural and part of her way of life. 

But it had been a week since her dad died and still, not a single tear. She’d imagined his funeral would be the thing that finally broke her. Yet, here she was, sitting in front of his casket, and . . . nothing. Flower arrangements lined the walls, white folding chairs were arranged in neat rows and a blown-up photo of her dad from thirty years ago with a film camera on one shoulder and a four-year-old Carly on the other was placed in front of the coffin. The evidence of her dad’s departure was all around, but still, none of this felt real.

Cry, she told herself, just like you’d write into a movie. Yes, if this were a scene she were drafting, the heroine would emit deep, guttural sobs, the camera would pan out and the screen would fade to black.

But this wasn’t one of her screenplays. There would be no swell of orchestral music, and no comforting hugs from a secondary character, apparently. Because no one else was there—the room was empty, except for her. Was she actually going to be the lone attendee at her dad’s service? Was this how Bruce Hart would be remembered? 

A floorboard creaked and Carly stood, hopeful that a friend of her father’s had arrived, but it was just the funeral director.

“Sorry to interrupt,” he said.

Adam. His name was Adam. Now she remembered. He was probably in his thirties, tall and lanky in a fitted blue shirt with a blazer and loose tie. His floppy red hair fell just above the sharp lines of his jaw. “It’s fine,” she said, but her voice was much softer than she’d ever heard it. She cleared her throat and tried again.

“Fine.”

“Can I get you anything?” he asked.

“No, thank you,” she managed to respond.

“We’ll move outside in about twenty minutes, if that’s okay with you.” He clasped his hands, and she registered how his brown eyes had flecks of honey in them.

Carly blinked. Outside, as in the burial. She gave a quick glance at the coffin, then studied her shoes. “Sure,” she said.

Though there was no way she’d be able to watch her dad get lowered into the ground. She just couldn’t.

Her eyes began to mist. Was this the moment she’d finally cry?

But then Carly’s knees buckled just enough for her to sway. In a f lash, Adam was next to her with his arm wrapped around her waist. “I’ve got you,” his tone was as firm as his grasp at her side.

He maneuvered her into a chair, and she was suddenly overwhelmed by the nearness of him. Who even was this guy?

Why was he here, at her side, instead of anyone else in her life?

She didn’t want to be in this room, let alone be taken care of by someone who was about to bury her dad. She had a hard time getting the words, “I’m fine,” out, but she’d done it.

Instead of taking the hint and leaving, Adam opened a bottle of water that had been strategically tucked under a seat and handed it to her. “Here.”

Her hands were shaky, though, and the water dropped and began to spill all over the f loor. He deftly picked up the bottle and found a cloth to place over the spill.

Carly should’ve apologized, offered to get towels, or anything other than what she did next. “Please just leave,” her lips trembled over the words.

He stopped cleaning, looked up, and seemed to register her words. “Of course.” He stood, and his expression turned firm. “Just don’t step in the water. I don’t want you to fall—”

“I don’t need you to save me.” Her eyes narrowed at him. Carly understood that she was lashing out at Adam because of her grief, and the fact that she forgot to eat that morning probably didn’t help either. But she also didn’t care. This was her dad’s funeral. No one else had shown up. And she didn’t want to be comforted by this man she barely knew. She didn’t want his hand at her waist, or the water, or him. She wanted to get the hell away from this room.

His mouth opened to say something, but then a door down the hall opened, followed by footsteps.

“Excuse me.” Adam walked away from her all too quickly and approached the hallway. Carly’s heart anxiously beat again—finally, maybe this was someone to see her dad?

But no.

“Shireen?” Adam’s voice was surprised.

“Can we talk?” The woman attached to the voice appeared—also tall, but curvy, with the most gorgeous dark curls Carly had ever seen. Her expression, though, was concerned.

“I’m working.” He tilted his head toward the room where Carly sat. His work was the business of burying her dad.

“It’s important,” Shireen said quietly.

Adam gave Carly a genuinely apologetic look, then left.

She swallowed down a lump that had lodged in her throat.

She knew she’d been unfair to Adam and later she’d regret her words, but she was also relieved to be alone again. Carly approached the coffin and placed her palm on the closed lid. In there, Bruce wore the navy-blue suit and tie she’d picked out. Pinned on his jacket lapel was the Star Wars enamel pin she’d gotten him for his sixtieth birthday. He’d forever be sixty-four.

Carly studied her fingers instead of imagining him inside the box. She wasn’t ready to say goodbye, she realized. She wanted to explain that this was all just too much for her—too intense, and awful. Maybe she could come back tomorrow and visit the grave, when she was ready? But that was when she heard them fighting. 

“What do you want me to say, Adam? I fucked up! I slept with him. I’m sorry,” Shireen shouted.

“Keep your voice down!” Adam’s own raw with emotion.

Carly frowned. What was she overhearing?

“I don’t know what else to say!” the woman exclaimed. “I just need to know if you’ll forgive me.”

There was a long stretch of silence. Carly realized that this was a private moment between two people, and she had no business listening in. She should definitely cover her ears or something.

Problem was, Carly was nosy.

“What did you expect me to do? You haven’t paid attention to me in years! We’re basically coworkers.”

“Coworkers don’t have sex, Shireen.”

“And neither do we!”

Carly slapped a hand across her mouth to keep in whatever noise was about to tumble out. Instead of sobs, she choked back incredulous giggles. How was it that on the worst day of her life, she was overhearing some of the best dialogue? Her eyes went wide as she focused on the coffin. “What do you think, Dad? Movie-worthy?”

But she was met with silence, because of course she was. For a moment, she’d been able to pretend like her dad was still there. Like they were having one of their old brainstorming sessions, where she’d rattle off a half-baked idea that he’d punch up. Who was she going to spitball with now?

She uncovered her mouth. “I miss you.”

The words came out easily because they were pure truth. She missed him. And in that moment, she knew where she finally needed to go.

The Last Showing movie theater was located off Main Street in the small, sleepy town of Julian, California. When she’d taken the key from her dress pocket and opened the doors, Carly wasn’t sure what to expect. Her dad had sent photos of the renovations he’d done, but to see the theater in real life was . . . surreal.

The place had been closed for a week, but the red-and-gold-flecked carpet was spotless. The warm white walls held framed posters of upcoming and past film releases. Neon stars dangled from wires on the ceiling. The food counter had been wiped clean, and the glass cases that held rows and rows of candy were stacked and ready to sell. If she’d wanted, Carly could throw open the doors, turn on the overhead marquee and wait to see if anyone came in. That was probably what Bruce did every day. Used to do.

Instead, she went behind the snack counter, tore open a package of Milk Duds and dumped the chewy morsels into an empty popcorn bucket. Then she ripped open a pack of gummy worms and let them fall in. She added Skittles, Swedish Fish, Twizzlers, M&Ms, Reese’s Pieces and mini Butterfinger Bites until the bucket was nearly full. Her dad called this a candy salad, their favorite treat.

Bruce also liked to add hot, buttery popcorn on top so everything melted together. He wasn’t there to tell her that, though.

He. Wasn’t. There.

Carly looked up from her tub of sugar. A “questionable” pot of joy any other day, but the thing felt as heavy as a brick in her hands. Her dad’s whole world had been movies. He’d gotten his first job as a PA on the set of a low-budget indie horror film when he was eighteen. But after forty-some-odd years of working his way up to cinematographer, he’d wanted a change of pace. He could’ve taken a cushy role as an adjunct professor at USC’s film school—a job he’d been offered. Instead, he’d done the least sensible thing imaginable: taken his savings, uprooted his Los Angeles life and bought a decrepit movie theater in a small town three hours away.

“I want to build something special—something of my own,” he’d excitedly told Carly over a greasy pancake brunch at the Tallyrand diner in Burbank, just a few blocks from his house and her apartment. He’d already begun renovations on the theater. “You’ll see, Carly girl!”

But she didn’t see, and neither did anyone in Julian. Because as Carly recently discovered, Bruce was in massive piles of debt. He’d taken out more loans than movie tickets sold. An exaggeration, but still . . . his gamble hadn’t paid off.

A few weeks ago, her dad had asked that she come visit so they could make his famous candy salad and watch the total solar eclipse together. He’d lived full-time in Julian for a year, and she hadn’t taken the three-hour drive down to see him. But Carly had no intention of coming to watch the eclipse—even if it was “rare and cinematic,” as her dad said. Because if she traveled to Julian, then she’d know for certain that he was never returning to Los Angeles. So she’d declined the invite, hoping he’d finally understand that his leaving had been the wrong decision.

Of course, neither of them knew that seeing her would be his dying wish. Carly thought putting together her dad’s favorite movie snack would ease her pain. She thought that by coming to the theater she’d get some kind of closure. But as she looked around the empty lobby, she couldn’t help but feel complete and utter rage.

If he hadn’t moved to this cookie-cutter small town to pursue his half-baked dream, Bruce would still be alive. If he and her mother hadn’t had their first date in a movie theater, maybe none of this would’ve happened in the first place. Why were both of her parents gone from this world when so many other people got to keep theirs for longer?

The bucket shook in Carly’s unsteady hands. Being here without him was too excruciating. For the first time since arriving in Julian, she finally understood her dad was really gone. Her throat burned. She couldn’t breathe. The hot, bubbling sorrow that had built inside her blow by blow finally tumbled out as a scream. She clenched her jaw, hurled the bucket of candy as hard as she could and it exploded against a framed poster.

Carly let out a loud sob. The flood of tears was so intense that the tightness in her throat couldn’t compete with the force of her own pain. Her body swayed from the grief, and she collapsed to the f loor. Her dad, that clever, sweet bear of a man, was gone.

After what felt like hours but was probably more like minutes, Carly had no more tears left. So when the front door squeaked open and she spied Hank—the janitor her dad had told her about—she couldn’t so much as fake a hello. Hank looked at her, then at the trail of spilled candy.

“I’ll clean this up.” Her hands instinctively went to the floor.

“Let me,” Hank said as he approached. Why hadn’t Hank come to her dad’s funeral? Was Julian just filled with soulless, rude people?

But then Adam popped into her head. He hadn’t been rude. He’d tried to help. So, naturally, she’d gone and chased him off.

“You go outside,” Hank added. “Get some fresh air. See the eclipse. Your dad would’ve wanted that.”

The eclipse. Yes, Carly had forgotten about the total eclipse that was happening because, well, her dad. She wordlessly agreed to let Hank do his job, and then numbly moved toward the exit.

Outside the theater doors, the sun was low in the sky and filled Main Street with warm light. A preschooler rode a scooter down the sidewalk as her mother chased along behind.

The child’s delighted squeals blended with Carly’s own sniffling. A chunk of her life had ceased to exist, but somehow everyone else carried on like that didn’t matter. As she glanced down the street, there were a handful of people in eclipse glasses, and kids lying on their backs with their faces toward the sky, delighting in the novelty. The whole scene would be quaint if she weren’t in mourning.

The truth that Carly didn’t belong in Julian hit her like a punch. She belonged in Burbank, where she’d grown up and had a studio apartment waiting for her. The sooner she could wrap up her dad’s affairs, the sooner she could get back home and leave behind the reminders that he was gone.

Home. The thought made Carly slip her phone out of the pocket of her black midi dress. There was a text from Daniel, her closest friend. She didn’t have a ton of those.

DANIEL: Call me, okay?

She would call him, eventually.

Then she clicked into her email. Being a screenwriter was a mostly solitary endeavor. So when she saw the new email with the simple subject line of “script,” she felt compelled to open it.

FROM: therealmarilyn@wahoo.com

TO: CarlyHartWrites@tmail.com

SUBJECT LINE: Script

Carly, I read your script. I think it has potential. Let’s set time to discuss. Xx 

She read it again. Then again. Carly had recently sent a script to Marilyn Montgomery—one of the most successful screenwriters in the business—after her dad had called in a favor. But she never expected a reply; favors were called in all the time in Hollywood, and often nothing came of them.

But Marilyn had read her script. She said there was potential.

She . . . wanted to discuss it?

Normally, knowing that an Academy Award-winning screenwriter thought her script could be something would elicit the kind of manic excitement that might frighten the nearby children. But in this moment, where Carly could barely stand from grief, all she could do was smile. A genuine smile, because she knew her dad would be so proud. Her life was about to change. She couldn’t call Marilyn, not when she might start crying if another human so much as spoke to her, so she typed a quick response back. Thank you for reading! I will send availabilities shortly! Thank you, again! She hit Send before she added another superfluous thank-you

Or exclamation point, and immediately got a failure-to-send notification.

Carly frowned, and out of sheer desperation, placed a call to Daniel. Only, the voice that greeted her was an automated recording. The number you’re trying to call is not reachable.

Before she could overthink it, voices rose around her and the people nearby pointed toward the sky.

Maybe the service was glitching because everyone was outside on their phones and livestreaming the eclipse. She’d try emailing again as soon as it was over. What the hell; she

might as well see the eclipse. Her dad had been eager to watch, and if she couldn’t be with him physically, maybe this was a different way to honor his memory. Carly took a deep breath, shaded her eyes with her hand and looked up. 

This, however, was absolutely a mistake. Her retinas instantly burned. She blinked back the sting and tried to open them again, but her lids felt stuck together. All she saw was black. Had she just blinded herself on top of everything?

There was a flicker of an image—white folding chairs and her dad’s coffin—followed

by his voice—Come find me, Carly girl—so clear and loud her breath caught.

Then, as quickly as it had all come on, her eyes opened.

“Dad?” Carly said.

Main Street came back into focus—the kids lying on top of towels, strangers pointing toward the sky. Of course he wasn’t there. She must’ve heard his voice in her fog of grief. Come find me, Carly girl echoed like a drum in her head, though. Logically, she knew that her heart wasn’t actually breaking, but how else to explain the sharp and sudden pain in her chest? She placed a hand to her forehead, let out a shuddering breath and wished the day would just end already.

Excerpted from Not You Again by Erin La Rosa, Copyright © 2025 by Erin La Rosa. Published by Canary Street Press.

 


 

 

 

 

 

 
 

 

 

Tuesday, 11 November 2025

BLOG TOUR - APHRODITE BY PHOENICIA ROGERSON


From the award-winning author of Herc, an enrapturing feminist tale that 
brilliantly reimagines the story of Aphrodite and how she transformed herself, 
from a lowly outsider to the darling goddess of love, for readers of 
Madeline Miller and Jennifer Saint.

Title: Aphrodite
Author:
Phonenicia Rogerson
Publisher:
Harlequin Books
Release Date:
11th November 2025

BLURB
Aphrodite saw the gods on Mount Olympus and decided she wanted a piece of what they had. Only problem is, she’s not a goddess, just a lowly being supposed to remain in a distant cave, keeping the threads of Fate woven neatly. But Aphrodite’s never let anyone tell her what to do…

Weaving herself a web of lies and careful deceptions, she convinces everyone she’s the goddess of love whose rightful place is among the Olympians, who lord it over everyone else at the top of the world, but under the stifling rule of Zeus. For the first time she has the best of everything, and friends, peers, even loved ones. Only being a goddess isn’t quite like she thought. Those who oppose Zeus tend to disappear, or worse. And one day, Aphrodite decides she’s had enough…


PURCHASE LINKS
Bookshop.org
B&N
Amazon

ABOUT THE AUTHOR 

Phoenicia Rogerson is the award-winning author of Herc, which won the 2024 Somerset Maugham Award for young writers and was chosen as one of Waterstones' Best Books of the Year in 2023. Though she is altogether mortal with a rather less checkered past than Hercules, she’s had a lifelong infatuation with Greek mythology and is greatly enjoying being able to claim her book purchases are for work. She lives in London.

AUTHOR LINKS
Website
Instagram
Twitter/X
Goodreads

  

EXCERPT  

Aphrodite I

I’m a liar, to begin with.

Well, if I’m being exceedingly honest with you – and I am trying – I was nothing at all, to begin with. Then I was my father’s testicles. Then the weaver of Fate itself, which is when the lying started. After that, it all got a bit complicated.

I was the daughter of Ouranos. The daughter of Zeus. The daughter of no one at all. A winner, a loser, though never much in between. The world standard of beauty and a crone, both. Olympus’ very own it-girl. Maybe the worst wife in all of history. A lover, a friend, a co-conspirator. A snitch. Selfless – once or twice. A bitch – more than twice. A monster, a villain, a victim – if you must. A good mother, a bad mother, a really bad mother. Lonely and famous and beloved and alone. Precious and worthless. A rival, a cheat. Afraid, often, and terrifying, also often. Oh, and I started a war. That’s very important.

The goddess Aphrodite. I was that too. I don’t think I am

anymore. Look, it’s all very knotted. Maybe I should start from the beginning.

First, there was Chaos, which meant something different then to what it does now. The time of Chaos was empty. It was a blank canvas for the optimists and an endless sinkhole for the pessimists. It was a time of absolutely nothing. I suppose I was nothing then, but we all were, so I won’t hold that against her.

Chaos was empty, until she met Nyx. I like to think that the two of them were in love, but I’ve never met my grandmothers, so I can’t say for certain. The two of them created the earth and the seas and the sky, and they had three children to gift them to.

Their daughters received the sea and the earth, and they were happy with them.

Their son wasn’t, as is the way of youngest children. He wanted to be the king of a world consisting of only five people, so they let him.

My father, given the world like a toy so he’d play nicely with his sisters. I suspect he was spoiled rotten, but then I quite like being spoiled, myself. And he did ask, before he took. He spoke with such conviction about the glittering future he would bring, the life he would spread across this world, that they believed him.

Ouranos became the first king of this world. He took his sister to be his wife and he made good on his promises. Together – let’s not give him all the credit; he didn’t carry their children – they filled the world with life. They brought forth the Titans, beings more powerful than even they were, who could control the elements around them more easily than breathing. And they brought forth the Cyclopes, and the Hecatonchires – the hundred-handed ones – who Gaia loved and who did not ask for power, only a life, which meant Ouranos did not respect them. He thought them irrelevant to the world, because they didn’t demand to own it. They lived between the oceans and created beautiful wonders with all the energy they saved from fighting.

I don’t know how many children they had together. It doesn’t matter. All that really matters is it was one child too many.

It’s always the youngest son who has the most to prove.

Their youngest was a Titan, Cronus. He wanted to be king too, only Ouranos wasn’t like his mothers. He didn’t want to give up what was his.

Cronus asked for power; his father said no. Cronus did not ask a second time.

So the world came to know a new word: war.

It didn’t last long, that first war. It couldn’t. All the Titans could be counted on fingers and toes.

Cronus armed himself. He went to the Cyclopes and asked for their support. He promised them positions in his new order, new lives beneath the sun instead of deep below the sea. He told them he would respect them as their father never did. And he let their conversation be heard just enough to build fear in his father.

It’s a bold strategy, to tell your enemy that you’re coming, but it works well with the men in my family. They’re so afraid of it, it eats away at them, into their very bones, and they forget that they’re anything other than the position they hold.

Ouranos ordered the Cyclopes sent to Tartarus, a prison in the underworld he’d had to create personally, because one had never been needed before.

(It’s a problem when you’re an immortal fighting other immortals. You have to be careful about who you piss off because there’s no getting rid of them. They’ll be there, hating you. Forever.)

How Cronus himself escaped being tied up in proto-damnation is beyond me, but he did. I suspect his mother helped. He promised her – how they promise! – he would free her sons, bring them to the power they deserved. When Cronus was king, everyone would live equally in a utopia, just below him.

He had his people behind him. He had his shining vision for the future. He had the weapons and the belief. It was only a matter of time.

He followed his father across the land, over the oceans, waited for the perfect storm to be whipping around them, for winds too loud for words – I know that for certain. I made my entrance soon enough.

I think it’s unlikely they’d have had much to chat about, anyway. When you get to weapons at dawn, what do you say?

I want power!

No, me!

No, me!

They were both armed, but Cronus’ reach was longer. That’s been true of every new generation I’ve seen, that they’re just a little bigger than their parents, trying to prove they’re better in the most

pointless of ways.

Cronus carried a sickle. I don’t know what my father’s weapon was. He lost.

There was no point in aiming to kill. There never has been, for us. Instead, Cronus thought of the worst shame he could possibly imagine, and he castrated his father.

Chopped his balls off.

De-testicled him.

I’ve heard every possible variation of the phrase, some with great solemnity and some with a snigger, and I’ve never been able to explain why I’m not laughing.

I can tell you now, though.

Those balls were me.

I grew from them. I was born from them. They were me and I am them and that will always be the truth. That is my beginning.

I made my debut at the end of the first great war, in a storm unlike any other, as the world turned itself upside down trying to find its way in the new order. All of this is true, yet my birth is reduced to a punchline.

I hid it for so long, not wanting my entire existence to be reduced to one man’s shame, but I’m over that now. I’m much more famous than him, after all.

I’ve always wondered how Cronus managed to castrate him so neatly. It was only my father’s testicles that made me – call my knowing that feminine intuition, if you want – but Cronus used a sickle.

How? Were they hanging so low? Was Ouranos’ stance so wide because he needed the world to see his mighty balls? What possible physical arrangement leads to one man being able to castrate another with a weapon made for cutting wheat?

Cronus would have had to practise, but he can’t have. Surely he had better things to do in the war, and I’ve met some of his generals. I can’t imagine them offering themselves up for the chop.

That one is a mystery for the ages, I’m afraid, but it doesn’t matter, because now I’m here. That’s it. All of the relevant history before I arrived. Done.

Cronus lifted his arms in mighty victory and bellowed so that all around him could cheer and crown him the new king of everything. Like his father, he went home and married his sister, ready to fill the world with people who looked just like him.

Ouranos, newly ball-less, gave an anguished cry.

‘You think yourself so smart, so powerful, but one day you will be just like me, dethroned by your own children.’

Cronus looked at his father’s crotch. ‘I will never be just like you, will I?’

He ordered Ouranos tied and bound in Tartarus, that prison of his own making, never to be seen again.1

So distracted were they by their respective shouting that the testicles fell into the ocean, instantly swallowed by the swells of the waves, pulled down into utter blackness, presumed lost.

Wrong.

1 For a certain value of never. We are immortals, after all. —A

Excerpted from Aphrodite by Phoenicia Rogerson. © 2025 by Phoenicia Rogerson, used with permission from Hanover Square Press, an imprint of HarperCollins.


 

 

 

 


 

 

 

 

 



 

REVIEW - THE REUCTANT REAPER BY MARY JANICE DAVIDSON

Title: The Reluctant Reaper
Author:
Mary Janice Davidson
Publisher:
Blackstone Publishing
Genre:
Sci-Fi, Fantasy, Romance
Release Date:
11th November 2025


BLURB 
What’s a death god to do …

A lot of twentysomethings might look forward to inheriting the family business. Amara Morrigan’s got zero interest in hers. The mantle she stands to assume is currently worn by her father, Death.

Amara’s childhood included helplessly watching as her best friend and her favorite teacher were taken away. She knows her dad didn’t do it on purpose … it was just their time. But Amara refuses to accept the job. It’s bad enough that she can sense when the final moment will be for anybody she meets—including her best (and only) friend, Gray. He knows who she is, and he’s cool with it. And though he’s the funniest, kindest, most understanding guy she’s ever met, she can’t allow him to get any closer (however much she might want to), because his moment is coming all too soon.

But now her father is dying. Ominous portents she can’t ignore pull Amara home to Minot, North Dakota, where Death is comatose—something that shouldn’t be possible. Thank all the gods that Gray refuses to be left behind. Amara’s mother is a mess, and Gray gives her somebody to cook for while the other death gods are gathering.

Alas, there’s not enough lefse in all of North Dakota to fix the situation. With their options waning, Amara agrees to (temporarily!) take up her father’s mantel—but she has to figure things out, and fast, because there is no way she’s doing this forever. 

Goodreads Link 

REVIEW
I love the chick-lit, almost comedic cover style, with the female, who we learn is Amara Morrigan, the contrast of the rather dressy, red dress and matching high heels with the black reaper cape and scythe! The cover hints and humour and the book delivers!

Amara is trying to live a “normal” everyday life, she takes temp jobs or jobs that she only sticks at for a week or two. In fact, the book begins where Amora has just been fired by her current boss Billy/William. Amara has sent Billy/William’s financial details to his soon to be ex-wife to aid her in her divorce case.

Amara’s best friend is Graham Gray, or Gray as she calls him, she once saved him from suicide and ever since they have been inseparable friends. Gray constantly teases Amara about her job-hopping antics. When Amara tells him he needs to pay out on their bet she would be fired he quips back that she only lasted as long in the job because her boss wanted to get in her pants!

Amara already has a job she is destined to do, it is expected of her that one day she will take over the family business, one she will inherit when her father dies. Amora is hoping that day will never come, not just because she doesn’t want her father to die but because she really doesn’t want the job. Amara has convinced herself the day will never come as her father is a God, the God of Death! Her family are all Gods and Goddesses.

When Baron La Croix a “family friend” arrives with a message that Amora’s father is seriously ill she packs a bag and heads home with Gray in tow. Gray is introduced to Amara’s mother Hilly or to give her correct, full name Frejya Brunhilde, a Valkyrie and Goddess of love, beauty and fertility. Hilly loves cooking and feeding everyone, Gray has never seen so much food. Slowly Gray meets all the others who have been summoned to Deaths side now he is ill. There’s Penny & Hank (Persephone & Hades), Arawn and his hellhounds, and Amara’s old tutor and friend Skye (Scathach) and lastly Chernobog. Hilly really is in her element cooking the large amounts of food needed to feed all these people!

Whilst Death is incapacitated it is necessary for Amara to finally accept her role and go and reap the souls of those dying. Gray having nothing else to do other than eat all the food Hilly keeps cooking decides to accompany Amara. When Amara visits those dying no one else can see her and she warns Gray that they will be in a bubble so people will not see him, but strangely those that are dying can see both Amara and Gray. Amara just shrugs off this anomaly as she has to work out what is happening with her father whose condition is worsening by the day. Amara soon realises she has been “set up” that Death is faking it to get her to accept her role as reaper. However, things become more complicated when Death’s health doesn’t start improving. It then occurs to Amara that someone is trying to poison her father, she has to work out fast who, why and stop them too.

With everything going on Amara turns more to Gray and their friendship soon becomes more complicated when they realise, they have feelings for each other. Only they had been holding them back for fear of losing their great friendship. The Gods and Goddesses all like Gray and seem to think he would be the perfect love match/partner for Amara. Theres only one problem they all know that Gray is due to die soon, so how can he and Amara have a future together?

I loved the character of Gray who had an awful childhood, attempted suicide but Amara saved him and they became best friends. I thought it was endearing the way Amara had been paying his parents to stay away from him and leave him to live his life in peace, free of them. The other character I adored was Baron La Croix who though he could eat himself could only enjoy food etc through being near others enjoying food etc. 

I loved the banter between the characters, It was amusing and in character for Persephone and Hades to keep sneaking off with each other and them not to be able to keep their lust for each other suppressed, it was funny.

The Gods and Goddesses were humanised as well as staying fairly true to mythology. I adored how Arawn answered to Arwen as that is what Amara called him when she was younger. It was also cute how he had hellhound puppies, that Gray became obsessed with feeding tidbits of food to despite Arawn repeatedly telling him not to.

My immediate thoughts were that this book is a quirky mixture, mash-up of humour, mystery with some romance and mythology thrown in and I really enjoyed it. It was a totally different genre and book pace to what I had been reading so initially I found it difficult to relax into and enjoy but as soon as the banter started flowing and the comedy elements, I felt pulled in. Definitely recommend if you want a light hearted read full of wise-cracks. It certainly made you think of “Death” in a totally different light!

Summing up a funny, banter filled book where the characters are true to the Gods and Goddess mythology that are also given human quirks and habits. Great if you want a light read with some romance and mystery and a relatively happy ending.


 

 

 

 

 

Thursday, 6 November 2025

BLOG TOUR - OTHERWISE ENGAGED BY SUSAN MALLERY

  
A twisty, tender and wise look at how secrets can transform the powerful—and sometimes problematic—bond between mothers and daughters, 
from #1 New York Times bestselling author Susan Mallery.

Title: Otherwise Engaged
Author:
Susan Mallery
Publisher:
MIRA
Release Date:
4th November 2025 


BLURB
When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell—and the last. Cindy’s engaged, too, and has already hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done.

Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect.

Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out. Twenty-four years ago, desperate teenager Cindy chose wealthy Ava to adopt her baby—then changed her mind at the very last second. The loss rocked Ava’s world, leaving her unable to open her heart to the daughter she did adopt, Victoria. As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different than who they might have become.


PURCHASE LINKS
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 ABOUT THE AUTHOR 

SUSAN MALLERY is the #1 New York Times bestselling author of novels about the relationships that shape women's lives―family, friendship, romance. Library Journal says, “Mallery is the master of blending emotionally believable characters in realistic situations," and readers seem to agree―40 million copies of her books have sold worldwide. Her warm, humorous stories make the world a happier place to live. She’s passionate about animal welfare, which shows in the many quirky animal characters she has created. Susan grew up in California and now lives in Seattle with her husband and adorable poodle.


 
 
EXCERPT 


How does the horse look?

Victoria Rogers pressed her good arm to her very bruised, almost broken ribs. “Dad, don’t,” she said, trying to stay as still as possible. “You can’t be funny. It already hurts to breathe. It wasn’t a horse.”

Her father frowned. “I was told you were thrown off a horse.” “I was thrown out of a truck.”

“Then how’d you get the black eyes?”

“The ground was a little bit pissy when I hit it and punched me back.”

There wasn’t a part of her that didn’t hurt. The good news was that now that the medical staff had determined she didn’t have a head injury, they were going to give her drugs to help with the pain. She’d already said she didn’t want any of that weak-ass pill stuff. She wanted a nurse to give her a shot of something that would work instantly and let her rest. Because in addition to the bruised ribs, requisite scrapes and contusions, she had a broken left leg and a sprained wrist. Her previously dislocated shoulder also throbbed, but that was kind of the least of it.

As she lay in her hospital bed, feeling like death on a tortilla, she had the thought that maybe stunt work wasn’t for her. Injuries came with the job, but this was the third time in five years she’d landed in the hospital. The first time she’d messed up, so that was on her, but the other two had just been plain bad luck. The incident with the truck had come about because one of the tires had blown, causing the however many ton vehicle to jump the curb—an action that had sent her flying up and over the side. Gravity, being the bitch it was, had flung her onto the sidewalk. Hence the injuries.

Her father studied her, his brows drawn together in concern. “None of this makes me happy,” he told her.

The incongruous statement nearly made her laugh. She remembered—just in time—that her ribs wouldn’t appreciate the subsequent movement and they would punish her big-time.

“Today isn’t my favorite day either,” she admitted, trying not to groan. “I didn’t wake up with the thought that I should try to get thrown out of the back of a pickup.” Although technically getting thrown out of the truck had been the stunt. Just not when it had happened and without warning or a plan.

“I’m worried,” her father told her.

“I’ll be fine.”

“This time.”

She winced, and not from pain. “Now you sound like Mom.”

Her father, a handsome man only a few months from his sixtieth birthday, brightened. “Thank you, Victoria. That’s such a nice thing to say.”

Given her weakened condition, she let that comment slide. Honestly she didn’t have the strength to deal with it right now, even though she knew her father understood exactly what she’d been saying. He was only pretending to not get it.

“If you’re going to act like that, you should go,” she said, then amended what could be construed as a catty comment into something more kind. Mostly because she only had the emotional energy not to get along with one of her parents, and her mother had already claimed that prize. “Besides, they’ll be bringing my drugs any second. I plan to surrender to sleep, so I’m not going to be very conversational.”

As if to prove her point, one of the nurses walked in with a syringe. “Ready to feel better?” he asked cheerfully.

“Yes, and let me say, you’re my favorite person ever.”

He winked. “I get that all the time.”

He slowly injected whatever the medication was into her IV. Victoria drew in a shallow breath as she waited to feel that first blurring of the edges of the pain. Modern medicine was a miracle she intended to embrace.

The nurse left. Milton took her good hand in his.

“I’ll let you rest,” he told her. “But I’ll be back later tonight.” He squeezed her fingers. “Tomorrow, when you’re released, I’m taking you home.”

Ugh. Victoria knew that her father wasn’t talking about the pretty condo he’d bought her when she’d turned twenty-one. Instead he meant the house where she’d grown up. The one where her mother still resided.

“I don’t need to move back,” she protested, feeling the first telltale easing of the pain. “I have a few bumps and bruises.”

“Along with a broken leg. And what about your ribs? You can barely move without wincing.”

“I have zero pain tolerance. I’m a total wimp.”

He frowned. “You’re tough and stoic. If you’re showing signs of pain, it’s bad. You’ll stay with your mother and me until you’re well enough to be on your own.” He pointed at her. “I mean it, Victoria. You don’t get a vote.”

Her father was rarely stern with her, so his sharp tone warned her he wasn’t kidding. And she knew from twenty-four years of experience that arguing with the man would get her nowhere. Milton didn’t take a stand very often, but when he did, he was the immovable object.

“I wish you loved me less,” she murmured, feeling a little floaty and stumbling over her words. “Okay, I feel drugs. Let me enjoy the experience of breathing without, you know, wanting to die.”

Oh, baby girl. You’ve always been difficult.”

“I know. It’s one of my best qualities.” Her eyes drifted closed. “Love you, Dad.”

“Love you more.” He kissed her cheek. “I’ll see you tonight.”

“Come alone.”

His soft chuckle was the last thing she heard.

Excerpted from Otherwise Engaged by Susan Mallery, Copyright © 2025 by Susan Mallery Inc. Published by MIRA Books.